Skip to main content

Precis-ely


Almost Blue

Nearly two months, I got to choose some English language books for my birthday. Books I actually wanted to read, as opposed to what I should be reading. In addition to two Indridason krimis (English lacks this useful German/Dutch word), and a study of Robert Doisneau 'From Craft to Art', I also brought home Dennett's 'From Bacteria to Bach', and two books on Jazz: Ted Gioia's 'History of Jazz', and James Gavin's 'Deep in a Dream: The Long Night of Chet Baker'.
While I suspect that Ted Gioa's book, and Doisneau's plates are the only things I'll look at again-though I haven't properly started on the former-it's the comparison of Dennett and Gavins, and their relationship to their subject matter, that interests me most here.
First to Dennett's book. I should say straight off that I haven't finished this, in fact, I'm only a third of the way in, and it's quite likely that this is as far as I'll get. At the obvious risk of 'pot-kettle-black' comment, I will say that this kind of rambling, self-referential writing contains little to endear itself to me. Excepting of course, the ideas he's writing about, which are hugely important and fascinating, if only the writer were able to convey them concisely and accessibly. (The contrast with Richard Dawkins' accessible and entertaining approach could not be sharper; even among philosophers, this does not hold a candle to Jerry Fodor). This is a work in sore need of a good editor, or better, self-censorship, to which a less important philosopher or linguist (!) would be forced to submit.
Which brings me to Gavins' biography of Chet Baker. I'd been a fan of the musician for more than twenty years before I learned anything of the man. And in a way, I'm sorry I picked up this book, because the projection from album covers is so much finer than the reality. Gavins paints a 400-page portrait of a unique and beautiful musical talent trapped inside a lazy, narcissistic, chronically immature, inarticulate, occasionally violent and deeply unethical thug--it seems, from the start--who spent the rest of his adult life sinking deeper into heroin addiction, and in more lucid moments, evading every responsibility to his partners and child. Watching 'Let's get lost' after reading half of this book confirms the view that Baker was someone I'm glad I never met. (That's quite a long list, it should be said...)
Yet his talent redeems Baker, at least to some small extent, and some may defend him on the grounds that he, like 90% of his jazz generation, was a victim of heroin. 'It was the drink, talking'. Especially since currently we are in thrall to someone with all the same character flaws but no redeeming talents, and no similar excuse: he doesn't even drink beer.
What's so fascinating about Gavins' writing is that he manages to paint a picture of a 40 year-long suicide that is simultaneously perceptive, unsentimental and--in a weird way--sympathetic.
Although I'm only half-way through, and know exactly how it will end, there is no question that I'll keep going in spite of the harm it will do to my image of Baker.
Yet, if I chose not to persevere to the bitter, or rather pathetic, end, I've just found--in Gioa's book pp. 264-265 a two-paragraph précis of Baker's life (and by extension of Gavins' biography)
Shorter than this review, then.
Hopefully, someone will provide the same service for Dennett's book, very soon.
So, there goes an hour of Showa Day that might have been better used.

Comments

Popular posts from this blog

Turbulence (Thanks for all the fish, and more)

[Note: this piece is not about about my family, nor does it involve literary or musical criticism. I’m not anticipating any attractive illustrations or other lures, and no musical accompaniment either. So if that’s what you came for, look away now. There will be more such articles in the future, I hope, but this is not one of them. You have been been warned.] Tokushima Naruto Whirlpool (Shikoku Excursion) Events of the last few days have left me, both literally and figuratively, in a painfully disordered state of mind. In plain English, I’m stressed, and my head aches. Actually, it twinges, rather than aches, but the precise description matters little; at all events, the pain ‘comes and goes’, as they say. (Where pain goes to, when it goes, is a puzzle in itself. I have this anthropomorphised image of Pain, like some peripatetic poison dwarf, doing the rounds of the neighbourhood: “Hi, Nigel didn’t want me this hour, so I’ve decided to drop in on you for a while. Don’t worry thoug...

Remembering Dad (Thinking about Madeleine II)

Over the past few days, I've been thinking a lot about my father, Gordon Duffield, who died earlier this year, far too soon, before we had a chance to talk. You might think that in nearly fifty years, we would have had a proper conversation, but though I told him about myself (too much at times, at times too little), and though he always listened, he only rarely shared his innermost thoughts, his personal beliefs as a man apart from his parental role, as a father and breadwinner; even then, when he revealed anything of himself, it was only in writing, never in conversation. My father was the kindest man I have ever known, the most forgiving of others, the hardest on himself: in all my life, I only once saw him lose his temper, and it was not with me. (If I can get through a single day without berating one of my children, it is a rare achievement.) He was a good man, without a trace of self-consciousness, generous and tolerant to a fault, and—until his last weeks—optimistic b...

Cambridge Blues ('Foundationed deep')

"I" Staircase, Trinity Hall, Cambridge  This weekend past, I returned to Cambridge with Ayumi, Julian and Justin for the first time in seven years. The occasion was a college reunion dinner, marking approximately 40 years of life since matriculation (1980, 1981, 1982, 1983 entrance years): about half of us (~50) from each annual cohort turned up to compare notes, reminisce, squeeze our sagging frames into formal evening wear, and report biographical highlights. It is worth noting that this was a self-selecting group: those with sufficient time, opportunity, income (it wasn't a cheap weekend break), self-regard and retained affection for their alma mater to trundle up; as bushy tailed and 'Hail fellow, well met', as age and misanthropy might allow.  Sic transit gloria iuvenum. I didn't have a great time, nor yet was it a disastrous waste. This is hardly surprising, since the curse of middle age is profound ambivalence about almost every extra-familial event or ...