Skip to main content

The Singer or the Song? (West Texas Highway)

Most of my teaching these days is pretty low-level stuff: of the five undergraduate courses I teach, only two have explicitly metalinguistic content. The subject matter of the other three is entirely up to me, provided that I teach English reading, writing and something interesting (respectively). (The word respectively was in fact one of the topics that came up in yesterday's Reading class—which shows how hard it is to escape from linguistic concerns). As for the 'something interesting' class (aka Kisoen-shu 'Introductory Seminar'), one of the chosen topics for this year is Singer-Songwriters, in which I introduce my students to (to me) interesting popular music dating from the time that most of their parents—sometimes grandparents—were children themselves. So far we've looked at songs by Harry Chapin, Ralph McTell, Don McLean, Joni Mitchell. I've had a great time, though probably they would rather listen to J-pop or watch paint dry. Too bad, sho ga nai,  (しょうがない?): it's my class, and it could be worse...

Anyway, today the chosen song was West Texas Highway, as performed by Lyle Lovett. Ironically, the song was not composed by him, and so fits badly into the slot. It appears on the album Step Inside This House, which is a collection of Lovett's favourite songs by other songwriters, and which I had believed for years—until today—had converted me to American country music. Two hours ago, I realized that the album had only converted me to Lyle Lovett. For here's the point of this post: It's Lovett who transforms this song from a fairly banal ditty about picking up a tramp on a long country road into a near elegaic reflection on the loss of freedom that comes with material possession:

...But I'm still wishing
To this very day
That he had my clothes
And my big Chevrolet
And it was me going to Haskell
With a woman down in Abilene

This is not in and of itself promising material, as this rendition proves. But Lovett is an alchemist. I don't know how he does it, really. And the only way to decide for yourself is to buy the song, 'cos it's not on YouTube (which is where I found the crummy version). But it will be worth every penny, cent, yen. Better yet, buy the whole album. Here's the link

PS. Here's a(n o) possum, 'case you didn't know how they grin (Possums are an entirely different antipodean beastie; this opussum comes from a further North, I'm told Texan possums are browner)

'Grinning like a possum/A mighty happy rascal'

Comments

Popular posts from this blog

Turbulence (Thanks for all the fish, and more)

[Note: this piece is not about about my family, nor does it involve literary or musical criticism. I’m not anticipating any attractive illustrations or other lures, and no musical accompaniment either. So if that’s what you came for, look away now. There will be more such articles in the future, I hope, but this is not one of them. You have been been warned.] Tokushima Naruto Whirlpool (Shikoku Excursion) Events of the last few days have left me, both literally and figuratively, in a painfully disordered state of mind. In plain English, I’m stressed, and my head aches. Actually, it twinges, rather than aches, but the precise description matters little; at all events, the pain ‘comes and goes’, as they say. (Where pain goes to, when it goes, is a puzzle in itself. I have this anthropomorphised image of Pain, like some peripatetic poison dwarf, doing the rounds of the neighbourhood: “Hi, Nigel didn’t want me this hour, so I’ve decided to drop in on you for a while. Don’t worry thoug...

Remembering Dad (Thinking about Madeleine II)

Over the past few days, I've been thinking a lot about my father, Gordon Duffield, who died earlier this year, far too soon, before we had a chance to talk. You might think that in nearly fifty years, we would have had a proper conversation, but though I told him about myself (too much at times, at times too little), and though he always listened, he only rarely shared his innermost thoughts, his personal beliefs as a man apart from his parental role, as a father and breadwinner; even then, when he revealed anything of himself, it was only in writing, never in conversation. My father was the kindest man I have ever known, the most forgiving of others, the hardest on himself: in all my life, I only once saw him lose his temper, and it was not with me. (If I can get through a single day without berating one of my children, it is a rare achievement.) He was a good man, without a trace of self-consciousness, generous and tolerant to a fault, and—until his last weeks—optimistic b...

Cambridge Blues ('Foundationed deep')

"I" Staircase, Trinity Hall, Cambridge  This weekend past, I returned to Cambridge with Ayumi, Julian and Justin for the first time in seven years. The occasion was a college reunion dinner, marking approximately 40 years of life since matriculation (1980, 1981, 1982, 1983 entrance years): about half of us (~50) from each annual cohort turned up to compare notes, reminisce, squeeze our sagging frames into formal evening wear, and report biographical highlights. It is worth noting that this was a self-selecting group: those with sufficient time, opportunity, income (it wasn't a cheap weekend break), self-regard and retained affection for their alma mater to trundle up; as bushy tailed and 'Hail fellow, well met', as age and misanthropy might allow.  Sic transit gloria iuvenum. I didn't have a great time, nor yet was it a disastrous waste. This is hardly surprising, since the curse of middle age is profound ambivalence about almost every extra-familial event or ...