"I" Staircase, Trinity Hall, Cambridge This weekend past, I returned to Cambridge with Ayumi, Julian and Justin for the first time in seven years. The occasion was a college reunion dinner, marking approximately 40 years of life since matriculation (1980, 1981, 1982, 1983 entrance years): about half of us (~50) from each annual cohort turned up to compare notes, reminisce, squeeze our sagging frames into formal evening wear, and report biographical highlights. It is worth noting that this was a self-selecting group: those with sufficient time, opportunity, income (it wasn't a cheap weekend break), self-regard and retained affection for their alma mater to trundle up; as bushy tailed and 'Hail fellow, well met', as age and misanthropy might allow. Sic transit gloria iuvenum. I didn't have a great time, nor yet was it a disastrous waste. This is hardly surprising, since the curse of middle age is profound ambivalence about almost every extra-familial event or
"An incredible trick" The starting point for this piece is an observation that Simon Kirby made a long time ago in the introduction to a BBC Horizon programme Why do we talk? , a documentary that I have used for nearly 20 years in my language acquisition classes at Konan. It is a scene-setting observation, one which seems self-evident and innocuous, and to which I paid next to no attention until a few months ago. I can walk up to someone I don’t know, and I can make a sequence of noises…that I’ve never made before…by pushing air through my mouth. I will take a thought in my head…and make it go into their head . That’s an incredible trick. It would be incredible, if that was what happens. Yet a moment's reflection - or perhaps twenty-plus years of rumination, I'm not sure which - tells me that this is completely wrong. We do not take our thoughts and cause them to go into other's heads. That would be amazing. Instead, whatever is involved in verbal communication i